My review can be found in this issue of the zine, in it I described everything my emotions, it can be an introduction to the conversation.
1. Hello and thank you for devoting your precious time. Dimmu Bongir - similar cover, similar logo, similar name and similar music. Is it a coincidence or a deliberate action?
H. This was no doubt a deliberate action on our part. The original thought behind the name was to create a black metal version of Cannabis Corpse, and years later when the concept was introduced to Gahll then we agreed to create music in the early to mid 90's black metal style as well. So no coincidences.
2. You are from western-southern Norway, a place where many were born and many things happened and it was hot, and flames lit up the night! Stavanger - tell us about those times!
H. There is not much we can tell you about those times I'm afraid. Neither of us were old enough at the time to really get to experience anything. We know some people involved in the scene in the 90's though, like Sanrabb who was involved with burning the alter in Revheim church in 92, and he is also a huge fan of A Witch is Stoned.
3. There are two of you - can we find out more? The band is a secret, are you afraid of revenge from Inner Circle, or maybe Dimmu fans?
H. We are indeed two people, and sure you can find out more. We also play together in bands such as Iron Fister, Kulse, Satan & Kjartan, Ole Olsen Trio, Nitrist and Death Crusader. Most things released by Bad Noise Records is our projects and collaborations. As for revenge, well, there is no inner circle anymore, at least not that we know of. And Dimmu Borgir fans has been very accepting of us. Many has told us that they've missed the old sound and even wish that Dimmu Borgir would return to it. So no we are not afraid of any revenge.
4. I have waited 30 years for the return of someone like your records and they will stay with me for a long time. What is the response of your fans to the records? Many of them are suggested by a video clip - that is a mistake, and the music takes the soul. Your lyrics: tell us about them and where do you find inspiration?
H. The response has been really good. Most people seem to really enjoy our music and the amount of hate has been minimal. People especially seem to enjoy the return to an now rare soundscape. The lyrics however are mostly about Satan and smoking weed. We take most of our inspiration from traditional, anti christian black metal lyrics and weed culture. Of course from time to time we parody the contents of the lyrics of the song that we're parodying, like I troldskogen fyrer weed is about trolls smoking weed, seeing that it fits the title. Our lyric writing is pretty straight forward, not much to tell I'm afraid.
5. Probably a typical question: have you met the guys from Dimmu or maybe they contacted you and what was the effect if any?
H. As of now we have not heard anything from Dimmu Borgir. We hope they find the music nostalgic and the concept funny, but we have no idea since we've not heard anything from them. Maybe they'll comment on us in the future, that would be an honor.
6. Well, I can't yet reveal to much, but there might very well be some live shows in the future featuring live members to complete the line up. I guess you'll have to stay tuned for updates on that.
H. You are a band that will not play live. Does it not bother you?
7. I was charmed by this old style, a mix of Dimmu, Satyricon, Emperor. It is an example that you do not have to play New Wave Metal and you can attract fans to yourself. What would you like to tell them in these last words?
H. Final words, those are always difficult. I think I'll be sincere this once and simply say a huge thank you to everyone that has taken interest in Bongir. We never expected this to blow up at all, and the amount of attention this project has gotten heavily outweighs anything we've done in the past. It has been quite a journey and we really appreciate everyone across the entire globe that has joined us on this journey and continue to listen and engage with our music. Also remember kids, say no to drugs.
8. Thank you and I am waiting for more successful albums.
H. Thank you for the interview, and there will be more releases so keep an eye out for that.
INTERVIEW BY: SEDUCER 2025y.
1. Horns Up Xificurk. I admit I saw a great preview of your album and that's what attracted me to do an interview with you. I listened to the music and the decision was made.
Hell Yes! First of all, thank you for your time and the interview for SucivilbO. 1. Tell us the history of the band, the lineup and how it all started?
Temira - Horns up! First of all, we appreciate your interest in XificurK and your kind words about our album preview. It’s always great to hear that our music resonates with new listeners.
XificurK was forged in the aim of delivering raw yet atmospheric black metal, deeply rooted in history, war, and especially war with religion.
The band came to life as a 2 man project, but over time, it evolved into a full live lineup of dedicated musicians, each bringing their own essence to the sound.
The core of the band is Sitre - Keys, Synths, drum programming and myself. Since the beginning, the vision was clear—to create something that merges relentless aggression
with melancholic melodies and historical themes. The name XificurK itself is a mirror of darkness and reflects the inversion of fate and destruction.
With our upcoming album 1096, we aim to transport the listener straight into the flames of the First Crusade, showing the brutality and chaos but with clear vision with whom we fight.
2. Your first full album "1096" is just coming out, can you tell us more about it before it's officially released?
Temira - Absolutely. 1096 is not just an album—it’s a journey into the heart of one of the most violent and chaotic periods in history: the First Crusade.
It is a sonic depiction of faith turned into warfare, of blood spilled in the name of salvation, and of the darkness lurking beneath so-called divine purpose.
Musically, 1096 blends raw black metal aggression with haunting atmospheres, carrying both relentless fury and solemn, almost liturgical moments.
We aimed to create something that feels like a march into battle—furious, merciless, yet laced with the weight of inevitable doom.
Lyrically, the album delves into fanaticism, suffering, and the brutal irony of seeking salvation through destruction.
Each track immerses the listener in this era, standing amid the carnage rather than merely observing it.
The album will be released on April 1st, 2025, under Mara Production, and will be available in Jewel Case, Digipack, and Vinyl (Transparent Red with Black Smoke) editions.
Before the full release, we’ve already unleashed the singles "The Ibliss Within" and "Niech Cię Szlag". Both can be checked on all sreaming platforms.
3. You come from a country where metal has been around for over 50 years. Why did you only start now, only in this century, 2025?
Temira - XificurK may be a new name, but our passion for black metal runs deep. Though we haven't played in other bands before, this genre has always been a part of us—as fans, as followers of the darkness.
Founding XificurK was not a question of if, but when. We waited until we could shape something true to our vision, something that truly reflects what we feel black metal should be.
Before 1096, we released two EPs—both experimental steps in shaping our sound and identity. They were important milestones, but 1096 is our true beginning.
It marks our full-length debut and, more importantly, our complete readiness to deliver our vision without compromise. This album is not just a collection of songs; it’s a statement.
4. The market to the East is closed, but is the one to the West sufficient in terms of sales, concerts, etc.?
Temira - The Western market offers many opportunities, but market values are not what drive us. Black metal was never meant to be easily sold.
We are not here to chase profit—we are here to make our vision heard. While the East may be closed, the West still provides a stage to
scream our message into the ears of those willing to listen. It’s not about numbers or sales; it’s about reaching as many kindred spirits as possible with the raw intensity of what we have to say.
5. Let's get back to music: would you make such music without today's technology, or would it be different?
Temira - It’s an interesting question. People were creating music with much more primitive technology in the past,
and that didn’t stop them from producing some of the most iconic and raw sounds in history. Technology definitely
makes some aspects easier today—whether it's production or accessibility—but I highly doubt that if we were born in the '70s,
the lack of modern tools would have stopped us from creating music. The spirit, the drive to express what’s within, is unbreakable.
It’s the fire inside us that fuels the music, not the gear we use to shape it.
6. Your opinion on Black Metal. Has it grown bigger and more dangerous, or the other way around?
Temira - There are many exceptions, especially within the Polish and Finnish black metal scenes, but overall, I feel like black metal has become either boring or diluted.
The chase for originality has led to entire albums built on just two or three notes. What’s missing the most for me is that experimental vibe that accompanied the first bands from the '90s.
Bands like Ulver, Windir, or Gehenna, who were able to escape the usual boundaries while still keeping that black metal essence, are what I feel is lacking.
I truly hope we’ve captured that element in our music. Part of the reason we formed XificurK was because we felt that people had forgotten what black metal is truly about.
Nowadays, much of the scene feels like a watered-down version of what it once was, and we wanted to bring back that rawness and authenticity.
Black metal isn't just about being loud or chaotic; it's about pushing limits, about challenging norms, and most importantly—staying true to what it represents.
7. Finally, I'll ask: is there a chance you could present your music live?
Temira - We do play live, and we’ve already performed outside of our home country. While we’re not actively looking for many opportunities to play shows, we’re always open to reaching out when the right chance arises.
As I mentioned earlier, our goal is to spread our message, and playing live is one of the ways we can do that. Our main rule is simple: if someone invites us, we don’t refuse—of course,
as long as the conditions aren’t absurd. We believe in sharing our music with those who are open to it, no matter where it may take us.
8. Thanks for the interview - the last words to the fans, I leave to you.
Temira - Thanks for the interview. To our fans: we are here to burn down the weak, crush the shallow, and awaken those who dare to stand with us in the chaos—no apologies, only fvkking war.
INTERVIEW BY: SEDUCER 2025Y.
Hail Evig Hat! 1. Hello Satan , I have the impression that we have already encountered your music in other projects. My question is, where do you release it and do you mix so many different styles of playing? After all, with the next album you have to return to this style. How is it with you?
S: Greetings. I release all Evig Hat through Bad Noise Records, my own label. It can be found bandcamp. And the reason I mix so many styles is because I didn't want to release the same album all the time, and in 2014/15 I released a lot of albums. I still mix styles with this project, and I think it's a good exercise in creativity.
2. Evig Hat is a completely different style from your other bands. What are the albums about (lyrics), how much have they changed since the beginning?
S: I have over 20 releases under my belt with this, and few of them are alike. The lyrics often explore the subject of death in some form, or something connected with death such as war or illness. As for change they change a little with each release of course, based on what feel I am aiming for.
3. How popular are the albums? Has their popularity spread beyond Norway?
S: Evig Hat is more known abroad than in Norway, but it is as of yet a rather obscure project. Some people have heard of me here and there, but I have very few active listeners. Each album usually gets a couple of hundred downloads, and I'm happy with that.
4. You are quite young, you did not burn us to the ashes of "their homes", would you like to return to those times? Do you know anyone from those historical times?
S: I am ok with existing in my own time. History back then was written by other people, it was their time. I have my own piece of modern music history to work within, and there is still more than enough to work with. I know some people from Gehenna, other than that I've met some people from that time, but not to the point where I'd say we know each other in any sense of the word.
5. Norway is a harsh climate country. Do you think that living in Australia or Africa (apart from the religious aspect) can give you such a climate?
S: Parts of Australia and Africa and just as if not more harsh than the Norwegian climate in all senses. Could such places produce harsh music scenes? Of course. People are people, and there is nothing about location that makes one more or less capable of producing grim sounding music.
6. Bergen is not far away, but do you also have a place in Stavanger to play live? Are there still a lot of metal maniacs there (in the city where I live there are no concerts anymore, only punk)?
S: There are some venues in Stavanger that put on metal. Good shows are announced regularly and you get to see everything from local to international bands in most genres, including black metal of course. There is a decent scene also. More than enough people to sell out a medium sized gig. Stavanger is in no shape or form a giant metropolis for black metal or metal in general, but we got our own scene and it is very much living.
7. I had the pleasure of being in Norge 3 times and in Elm Street Cafe. Do you sometimes go there to see the guys from Oslo, even though Elm Street is gone?
S: Glad you enjoyed your trip here enough to make it thrice. Personally I do not like Oslo as a city. The people, the vibe, the culture, the speech, everything puts me off. It's a cold and unwelcoming place, full of people not willing to even try to understand any non eastern Norwegian dialect. I try to avoid the place if possible. I prefer the western coast myself, nothing Oslo can offer of value that is not more available here.
8. Finally, a message of cold, dark words - to your old and new fans, but such words that will sink into their brain marrow for a long time.
S: I don't know if I am able to produce such words. In general my message is that death in inevitable. It's our one guarantee and our one fear. To fight it is powerless and to accept seems like defeat. There is no solution to this outside dying and become one with nonexistence once more. Death should not be sought, neither encouraged. It will come in it's own due time, though it will come and that is certain. We all know this, but avoid the thought. Yet by avoiding the thought we trivialize it, thus making it easier to cause it unnecessarily. Our dance with death is a clumsy one as we stumble oblivious to even the most basic steps of it's slow waltz, me included. None of this matters though, having stuff matter is just a concept we made up to feel better.
interview by : seducer 2025y
